By Sarah Moroz | Observer, 09.03.2026

The stand featured a six-meter-long canvas by Spanish-born Chilean artist Roser Bru that was brought from Chile and mounted on a wooden structure. “We based the curation around this,” Pascual noted. The work references an elegiac poem by Pablo Neruda (“Spain In Our Hearts”) and also repeatedly reused Robert Capa’s iconic image of a fallen soldier. Memoria’s project space was dedicated to Terry Holiday, a trans woman in her 70s (double the life expectancy of a trans woman in Mexico).